Already some years ago an article in a mineral magazine caught my eye, in which an American dealer explained to the audience on the basis of a criteria catalog, how a specimen would have to look like. Which criteria it would have to fulfill, in order to be "worth collecting" - my first thought was: how boring. If you really took that seriously, every collection would look the same. In addition, I observe the development that people without much relation to mineralogy simply build up a showcase of 50 to 100 pieces with maximum financial effort, there are then the usual suspects: a tourmaline from Brazil, a gold from California, an aquamarine from Pakistan, etc. - investment is called that today. I call it an accumulation. And to say it right away - who visits Fabian Wildfang, experiences a real COLLECTION.
With great enthusiasm Fabian Wildfang collects tourmalines - and far beyond the known localities. But even from these big names like Pederneira or Paprok he was not satisfied with the usual, to be expected pieces, rather the whole diversity of such localities reveals itself in all its colors, crystal forms and parageneses. One sees things of which one did not know that they were found there, one sees specimens of breathtaking quality, but also curiosities like etched and scepter-like crystals, one gets to see color varieties that are almost unseen from a certain locality - simply said, there is no end to the amazement. Tourmalines alone are the best example of what makes a real collection - nature is not subject to man-made criteria and on the shelves of Wildfang's collection, this infinite variety is already revealed by this one mineral.
But this is not the end of the matter - another mineral, which stands out like almost no other by 7 different crystal forms and inexhaustible combination possibilities with other minerals, as well as by all colors of the rainbow, is the Fluorite - and also this mineral is offered a wide space in the collection. From fantastic Illinois specimens to red octahedrons from the Alps to impressive pieces from China and Russia, an enormous spectrum can be found here as well.
Who is looking for the great European classics will not be disappointed - besides ore specimens from Romania, rarities from Greece and Hungary, pyromorphites from Les Farges and azurites from Chessy can be found. The fan of copper minerals gets his money worth with a rich selection of Tsumeb minerals, a whole layer of Rhodochrosites from South Africa and Colorado is missing as well as an extensive Alpine collection with breathtaking Titanites, Gwindels on Matrix, one of the most beautiful Epidote from the Knappenwand known to me and much more - whoever thought Alpine collections consist mainly of quartz and are colorless, will be disabused here.
It would go beyond the scope of this article to list all the areas of discovery and minerals that can be found in the showcases of the collection - but no part of the collection consists of simple specimens. With an unbelievable care, a distinctive eye for aesthetics, with a lot of patience, experience and expertise, a spectacular collection was put together over decades and also presented in the best possible way. The viewer is presented with diversity at the highest level of quality and in exquisite aesthetics, the contemplation makes you forget the time and the impressions taken away enrich your own perspective and your own collecting activities immensely. Moreover, the collection is so extensive that even after the fifth or tenth visit, new pieces, new details can always be discovered. I can only advise every collector - even if you have a long journey - definitely take a look, the visit to this museum is worth it!”
(translated from German)